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This article examines how Da‘esh utilizes anashid (“Islamic songs” or “recitation”) as soundtrack elements within its video messaging, focusing primarily on a sample set of 755 videos released in 2015. The authors also present the development of an automatic content recognition (ACR) tool that enabled them to engage this large data set. The article then explores the possibilities of ACR for the identification of terrorist audio and video, utilizing the conclusions drawn from the trends of audio usage in Da‘esh video messaging to support the validity and promise of such an approach.

VOX-Pol Blog post.

VOX-Pol Blog post.

The focus of this workshop was individuals’ experiences of, and engagement with, extremist ideas and beliefs – both jihadist and far-right – in a variety of different settings. Panellists explored the role of video games, music, humour and the occult in normalising extremism and assessed the extent to which this plays a role in radicalisation trajectories and desensitises individuals to violence. The reverse process – in which extremist actors adopt mainstream culture to expound their message – was also considered.

Panellists:

Dr Suraj Lakhani (University of Sussex)

Dr Weeda Mehran (University of Exeter)

Prof Jonathan Pieslak (The City College of New York, CUNY)

Dr Ashton Kingdon (University of Southampton)

Anashid – Islamic a cappella songs – figure prominently in the propagandaconsumption habits of the 17 jihadists who have caused casualties in the United States since 2013.