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VOX-Pol Blog post.

This article introduces the method of podcast ethnography. The method encompasses three general stages: to explore a podcast from a particular social field, to engage with it through careful, ethnographic reflexivity and to examine the podcast by developing typologies and themes expedient for analysis. Podcast ethnography is beneficial due to its spatial and temporal flexibility; observing a podcast universe can be performed on the move and in parallel with other tasks. This advantage enables a much-needed breathing space for researchers inquiring vehement milieus, such as white radical nationalism. The article uses an example from this precise milieu in Sweden – the podcast Motgift [Antidote] – to illustrate and flesh out the potentials and challenges of applying the method’s three stages. In so doing, the article argues for inclusion of podcast ethnography into the extended family of ethnographic methods.

This special responsive issue on “Platform Surveillance” critically assesses the surveillance dimensions and politics of large-scale digital platforms. The issue includes an editorial introduction to the topic and its implications, dozens of articles on specific platforms or platform trends, three book reviews of Shoshana Zuboff’s The Age of Surveillance Capitalism, and an interview with Zuboff about her work.

This article seeks to examine, quantitatively and qualitatively, one week of official media releases of the Islamic State (IS). Due to the breadth of IS official media releases, this provides a snapshot upon which to better understand the different styles and messaging streams IS releases on a weekly basis. The article shows that IS produces much more material, and on a broader range of topics, than what gets reported in the mainstream media. Execution videos make up just a fraction of the overall output and are dwarfed by the number of IS productions on military affairs, governance, preaching, moral policing, and other themes. The analysis also shows that IS relies very heavily on visual as opposed to text-based propaganda, and that most of its military activities take place in Iraq, not Syria.