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The livestreaming of terror, its co-production through live consumption and the massacre of lives as ‘entertainment’ propelled us into another long abyss of ethical challenges in the case of the xenophobic terrorist attack in Christchurch, New Zealand, in 2019. Livestreaming, as part of the convergence of technologies, enables narration in ‘real’ time, dragging us into a new ‘banalisation of evil’ where terror and torture can be co-produced by inviting audiences to consume through the vantage point of the perpetrator. This article examines the Muslim ‘body’ through JanMohamed’s notion of the ‘death-bound subject’ where the continual threat of death foreshadows the Muslim body, imbricating it within a political and ideological archaeology wherein both its possibility of death and the performance of death enter into a realm of theatrics of production incumbent upon invoking new moralities around consumption and its residues as a screen image. The ‘wretched of the Earth’ and their residues as immaterial matter online as the ‘wretched of the screen’ connote a new architecture of violence conjoining the temporalities of liveness with the sharing features of ‘semiotic capitalism’.

VOX-Pol Blog post.

This paper aims to provide an overview of digital environments and draw insights from qualitative research and monitoring of RWE online subcultures that reveals a shift towards a post-organisational reality, whereby online structures and subcultural milieus could be equally important for inspiring violence as connections to groups in the physical world. 1 In order to understand this emerging trend, it is important to recognise the online communities that violent right-wing extremists (VRWE) use to produce a sense of belonging, spread dehumanising propaganda and promote acts of violence.

This study explores the utility of a sociological model of social organization developed by Best and Luckenbill (1994) to classify the radicalization processes of terrorists (i.e., extremist perpetrators who engaged in ideologically motivated acts of violence) who are usually categorized as loner or lone wolf attackers. There are several organizational frameworks used to define or classify violent acts performed by individuals who may or may not have ties to extremist groups, but these studies largely ignore the role of social relationships in radicalization and the extent to which they inform our knowledge of terror. To address this gap, we apply the Best and Luckenbill model of social organization using a qualitative analysis of three case studies of four lone actor or small cell terrorists. The findings demonstrate lone actors are not always true loners in the context of radicalization, and highlights the ways that the Internet and social ties foster the radicalization processes of terror.

This report focuses on the interactional dynamics between anti-Muslim extremists and radical Islamists in Germany and beyond. It reveals ideological underpinnings, approaches to mobilization and communication patterns, which all prove to be analogous on both sides, and it places emphasis on the reciprocity of hate that may serve to intensify processes of individual and group radicalization. Our study presents the first systematic analysis of the interplay between both forms of extremism that plays out on different places on the Internet. It provides direct evidence showing that Islamist and far-right movements converge at different levels and mutually amplify one another. The analysis focuses on measuring the online interaction between extremist content, individuals and events.
Overall, over 10,000 Islamist and far-right Facebook posts and over one million German anti-Muslim tweets between 1 January 2013 and 30 November 2017 were analyzed for this study. Additionally, we conducted three months of ethnographic research into encrypted pro-IS and pro-Al-Qaeda groups on Telegram as well as into far-right chat groups.

VOX-Pol Blog post.