Online Library

This special responsive issue on “Platform Surveillance” critically assesses the surveillance dimensions and politics of large-scale digital platforms. The issue includes an editorial introduction to the topic and its implications, dozens of articles on specific platforms or platform trends, three book reviews of Shoshana Zuboff’s The Age of Surveillance Capitalism, and an interview with Zuboff about her work.

This article seeks to examine, quantitatively and qualitatively, one week of official media releases of the Islamic State (IS). Due to the breadth of IS official media releases, this provides a snapshot upon which to better understand the different styles and messaging streams IS releases on a weekly basis. The article shows that IS produces much more material, and on a broader range of topics, than what gets reported in the mainstream media. Execution videos make up just a fraction of the overall output and are dwarfed by the number of IS productions on military affairs, governance, preaching, moral policing, and other themes. The analysis also shows that IS relies very heavily on visual as opposed to text-based propaganda, and that most of its military activities take place in Iraq, not Syria.

In 1993, a largely forgotten neo-Nazi named Milton Kleim Jr. launched (what was yet to be called a website titled) “Aryan News Network” with the proto-internet platform USENET. Building upon more than a decade of revolutionary new communications technologies—embraced early and often by right-wing extremists—this peer-to-peer tool was intended as a form of ‘guerrilla warfare’ against the ‘main–stream media.’

VOX-Pol Blog Post.

This study focuses on the role of Internet memes in the communication of two far-right groups in Finland. The material consists of 426 memes posted by Finland First and the Soldiers of Odin between the years 2015 and 2017 on Facebook. Multimodal discourse analysis was applied to understand the contents, forms, and rhetorical functions communicated via the Internet memes. The analysis shows that the contents of the memes revolve around six themes: history, humor, mythology, symbols, news and mottos. By using Internet memes, the groups aim to construe a heroic imagined past, to lend legitimacy to the nationalist cause, to arouse moral anger and hate toward refugees, and to encourage the movements’ followers to fight. We argue that, for the extreme groups, Internet memes are tools to crystallize their arguments in an easily shareable and concise form, which makes the memes useful tools in persuasion and mobilization, as well as attracting new audiences.