Online Library

This dissertation is, at its core, an interrogation of white masculinity in Canada’s right-wing spaces. While my interlocutors spent a great deal of time discussing others, namely immigrants, globalist elites, and feminists, through their discourse, they revealed a lot more about themselves and their perceived victimhood (Berbrier, 2000). This victimhood is derived from what Hage (2000) refers to as the white nation fantasy, wherein white people believe they have the right to rule, control, and dominate in their countries. They are entitled to this by virtue of their whiteness and its perceived superiority, and thus feel justified in their harmful behaviour (Essed & Muhr, 2018). Yet, as I show throughout each chapter, that right is challenged time and time again by immigration, feminism, and racial justice, which triggers a sense of aggrieved entitlement (Manne, 2019) and backlash (Boyd, 2004; Braithwaite, 2004). Moreover, I demonstrate that this is not only a white fantasy, but rather a white male fantasy. While the white nation fantasy relies on white supremacy, the white male nation fantasy interweaves notions of male supremacism wherein not only are people of colour inferior, so too are women – including white ones who do not fall in line. I draw on bell hook’s conception of “white supremacist capitalist patriarchy” to show how their discourse, while explicitly racist and nativist (Schrag, 2010), upholds and is in turn upheld by both capitalism and patriarchy. Thus, while chapters on hockey, promiscuous women, and a “Sad Keanu” meme may seem disparate and disjointed, they all connect back to these notions of supremacism, entitlement, and ultimately victimhood.

VOX-Pol Blog post.

In the space of 36 minutes on March 15, 2019, it is alleged that Brenton Tarrant, an Australian far-right extremist, fatally shot 51 people in two mosques in Christchurch in the deadliest terrorist attack in New Zealand’s history. What was unique about Tarrant’s attack—at least insofar as extreme-right terrorism is concerned—is that he livestreamed his atrocity on Facebook and in doing so, highlighted the Achilles heel of such platforms when faced with the viral dissemination of extremely violent content.

This study examines videos produced by the al-Hayat Media Center, a branch of the Islamic State’s (IS) larger media campaign aimed more specifically at Western audiences. Using a thematic analysis approach, recurring themes of 10 al-Hayat videos were identified with conclusions made regarding the specificities of the message and the target audience. It was found that al-Hayat videos cater to potential Western recruits and sympathizers by portraying life in the IS as spiritually and existentially fulfilling, while simultaneously decrying the West as secular, immoral, and criminal. By utilizing well-produced propaganda videos that tap into the dissatisfactions of Western Muslims, al-Hayat was shown to deliver a sophisticated and legitimate message that may play a role in the larger radicalization process.

This study applies the method of sentiment analysis to the online media released by the Islamic State (IS) in order to distinguish the ways in which IS uses language within their media, and potential ways in which this language differs across various online platforms. The data used for this sentiment analysis consist of transcripts of IS-produced videos, the text of IS-produced online periodical magazines, and social media posts from IS-affiliated Twitter accounts. It was found that the language and discourse utilised by IS in their online media is of a predominantly negative nature, with the language of videos containing the highest concentration of negative sentiment. The words and phrases with the most extreme sentiment values are used as a starting point for the identification of specific narratives that exist within online IS media. The dominant narratives discovered with the aid of sentiment analysis were: 1) the demonstrated strength of the IS, 2) the humiliation of IS enemies, 3) continuous victory, and 4) religious righteousness. Beyond the identification of IS narratives, this study serves to further explore the utility of the sentiment analysis method by applying it to mediums and data that it has not traditionally been applied to, specifically, videos and magazines.

The research aims to highlight how the forums of the Romanian online publications may often become spaces for right-wing extremist propaganda. The case study includes about 1.000 comments of the readers, expressed on the articles about a protest of several intellectuals against a TV program of the Romanian public Television (TVR), where Corneliu Zelea Codreanu, the founder of the Iron Guard, a Nazi organization created in 1927, was presented as a romantic hero. The results of the content analysis of comments revealed the stigmatizing themes, the stereotypes and the extremist ideas identified on the forums of these articles. In addition, the comparison between the electronic platforms of the publications showed the importance of their features and of the characteristics of audiences regarding the content of the comments.