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This paper, part of the Legal Perspectives on Tech Series, was commissioned in conjunction with the Congressional Counterterrorism Caucus.

The research aims to highlight how the forums of the Romanian online publications may often become spaces for right-wing extremist propaganda. The case study includes about 1.000 comments of the readers, expressed on the articles about a protest of several intellectuals against a TV program of the Romanian public Television (TVR), where Corneliu Zelea Codreanu, the founder of the Iron Guard, a Nazi organization created in 1927, was presented as a romantic hero. The results of the content analysis of comments revealed the stigmatizing themes, the stereotypes and the extremist ideas identified on the forums of these articles. In addition, the comparison between the electronic platforms of the publications showed the importance of their features and of the characteristics of audiences regarding the content of the comments.

This study applies the method of sentiment analysis to the online media released by the Islamic State (IS) in order to distinguish the ways in which IS uses language within their media, and potential ways in which this language differs across various online platforms. The data used for this sentiment analysis consist of transcripts of IS-produced videos, the text of IS-produced online periodical magazines, and social media posts from IS-affiliated Twitter accounts. It was found that the language and discourse utilised by IS in their online media is of a predominantly negative nature, with the language of videos containing the highest concentration of negative sentiment. The words and phrases with the most extreme sentiment values are used as a starting point for the identification of specific narratives that exist within online IS media. The dominant narratives discovered with the aid of sentiment analysis were: 1) the demonstrated strength of the IS, 2) the humiliation of IS enemies, 3) continuous victory, and 4) religious righteousness. Beyond the identification of IS narratives, this study serves to further explore the utility of the sentiment analysis method by applying it to mediums and data that it has not traditionally been applied to, specifically, videos and magazines.

This study examines videos produced by the al-Hayat Media Center, a branch of the Islamic State’s (IS) larger media campaign aimed more specifically at Western audiences. Using a thematic analysis approach, recurring themes of 10 al-Hayat videos were identified with conclusions made regarding the specificities of the message and the target audience. It was found that al-Hayat videos cater to potential Western recruits and sympathizers by portraying life in the IS as spiritually and existentially fulfilling, while simultaneously decrying the West as secular, immoral, and criminal. By utilizing well-produced propaganda videos that tap into the dissatisfactions of Western Muslims, al-Hayat was shown to deliver a sophisticated and legitimate message that may play a role in the larger radicalization process.

In the space of 36 minutes on March 15, 2019, it is alleged that Brenton Tarrant, an Australian far-right extremist, fatally shot 51 people in two mosques in Christchurch in the deadliest terrorist attack in New Zealand’s history. What was unique about Tarrant’s attack—at least insofar as extreme-right terrorism is concerned—is that he livestreamed his atrocity on Facebook and in doing so, highlighted the Achilles heel of such platforms when faced with the viral dissemination of extremely violent content.

This article explores the extent to which ‘transnationalism’ offers analysts a meaningful prism through which to analyze racially or ethnically motivated violent extremist (REMVE) terrorism or whether the term obscures more than it illuminates. The ‘transnational’ dimension of REMVE terrorism is often ill-defined and misunderstood, leading to misconceptions about the nature of such networks that in turn exaggerate their ‘global’ reach and distort our understanding of how they operate in practice. The digital revolution has internationalized far-right extremist networks, but many of these remain regional rather than truly transnational. Nevertheless, understanding the transnational dimension of social media and its role in the radicalization of lone-actor REMVE terrorists is increasingly important. Online REMVE communities rather than physical organizations per se serve as the medium through which violent ideologies are spread; where lessons from previous attacks are learned and internalized; where the perpetrators of violence are revered; and where further acts of violence are encouraged and incited—which, as this article demonstrates, has real-world effects. What this suggests is that, insofar as REMVE terrorism is concerned, ‘domestic’ terrorism is increasingly inseparable from tackling ‘transnational’ terrorism and that digital platforms have increasingly blurred the boundaries between the two.