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The digital era of information technology appears to be a new space and place for the Indonesian Shiite communities to express their existence and conceal their “cloak” in the country.. Internet, websites, Facebook pages, Blog spots, and Twitter are tilized by these Shiite followers and supporters to show their presence, activities, interactivity, and thoughts about Islam. Responding to those Shia media, the anti-Shia movements such as the fundamentalist Sunnis, the Wahabi-Salafi’s, the Wahabi-Takfiri’s supporters have created their online publications and fan pages to counter those Shia’s publications. The online media battles on sectarianism issue then have sparked in the cyberspace of Indonesia in the last three years. Using a critical cultural studies tradition and textual approach, this study tries to examine the rise of Shia and anti-Shia online media as well as the meanings and contexts in which violent actions occurred amongst the Sunni-Shia Muslim communities on it. This paper also attempts to look closely at the way the media writes, covers, and build opinions and attitude to inform and provoke the public.

VOX-Pol Blog post.

VOX-Pol Blog post.

VOX-Pol Blog post.

On the one hand, the companies in question feel a business incentive to create a digital
environment where their users feel safe, and are increasingly compelled by governments to cooperate in blocking, filtering, countering or removing content or accounts on the grounds of public safety or national security concerns. In addition, users expect the companies to be transparent, accountable, respect privacy and freedom of opinion and expression and guarantee remedy, while also ensuring an open, free and secure internet. This reality has led to greater voluntary engagement of the private sector in efforts to respond to terrorist use of the internet and ICT. This engagement includes industry-driven initiatives and participation in multi-stakeholder and public-private fora focusing on normative, technical and organizational issues, as well as engagement with academia.

The livestreaming of terror, its co-production through live consumption and the massacre of lives as ‘entertainment’ propelled us into another long abyss of ethical challenges in the case of the xenophobic terrorist attack in Christchurch, New Zealand, in 2019. Livestreaming, as part of the convergence of technologies, enables narration in ‘real’ time, dragging us into a new ‘banalisation of evil’ where terror and torture can be co-produced by inviting audiences to consume through the vantage point of the perpetrator. This article examines the Muslim ‘body’ through JanMohamed’s notion of the ‘death-bound subject’ where the continual threat of death foreshadows the Muslim body, imbricating it within a political and ideological archaeology wherein both its possibility of death and the performance of death enter into a realm of theatrics of production incumbent upon invoking new moralities around consumption and its residues as a screen image. The ‘wretched of the Earth’ and their residues as immaterial matter online as the ‘wretched of the screen’ connote a new architecture of violence conjoining the temporalities of liveness with the sharing features of ‘semiotic capitalism’.