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This paper, part of the Legal Perspectives on Tech Series, was commissioned in conjunction with the Congressional Counterterrorism Caucus.

VOX-Pol Blog post.

This book explores how ordinary Arab-speaking social media users have reacted to propaganda from the Islamic State, rather than how IS propaganda has targeted ordinary users, thus providing a change in perspective in the literature. The authors provide a comprehensive account of the evolution of the Arabic discourse on IS, encompassing all phases of the Caliphate’s political evolution, from the apogee of the Islamic State in October 2014 to the loss of its unofficial capital of Raqqa in September 2017. Taking into account key events, the book also considers the most recurrent topics for IS and its opponents who engage in the Twitter conversation. The analysis is based on around 29 million tweets written in the Arabic language, representing a random sample of around one-third of all Arabic tweets referring to IS over the 2014-2017 timeframe.

Understanding how extremist Salafists communicate, and not only what, is key to gaining insights into the ways they construct their social order and use psychological forces to radicalize potential sympathizers on social media. With a view to contributing to the existing body of research which mainly focuses on terrorist organizations, we analyzed accounts that advocate violent jihad without supporting (at least publicly) any terrorist group and hence might be able to reach a large and not yet radicalized audience. We constructed a critical multimodal and multidisciplinary framework of discourse patterns that may work as potential triggers to a selection of key cognitive biases and we applied it to a corpus of Facebook posts published by seven extremist Salafists. Results reveal how these posts are either based on an intense crisis construct (through negative outgroup nomination, intensification and emotion) or on simplistic solutions composed of taken-for-granted statements. Devoid of any grey zone, these posts do not seek to convince the reader; polarization is framed as a presuppositional established reality. These observations reveal that extremist Salafist communication is constructed in a way that may trigger specific cognitive biases, which are discussed in the paper.

Summary Report on conference organized by the George C. Marshall European Center for Security Studies in Cooperation with the Royal Jordanian National Defence College.

Popular music research has explored digital technologies’ potential for democratizing music consumption, distribution, and production. This article, however, focuses on the anti-democratic implications of digitalization for popular music by exploring discussions of music in 1,173 posts in 6 Alt-Right forums, from 2010–2018. It demonstrates that, first, owing to algorithmic architecture, interpretations of musical politics are mutually reinforcing in these spaces. Second, a large degree of musical “omnivorousness” in these forums is both a feature of contemporary far-right strategy and a consequence of digitalization. Third, by articulating “reactionary democratic” principles through music criticism, these movements more easily evade regulation.