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In recent years, researchers have shown a vested interest in developing advanced information technologies, machine-learning algorithms, and risk-assessment tools to detect and analyze radical content online, with increased attention on identifying violent extremists or measuring digital pathways of violent radicalization. Yet overlooked in this evolving space has been a systematic examination of what constitutes radical posting behaviors in general. This study uses a sentiment analysis-based algorithm that adapts criminal career measures – and is guided by communication research on social influence – to develop and describe three radical posting behaviors (high-intensity, high-frequency, and high-duration) found on a sub-forum of the most conspicuous right-wing extremist forum. The results highlight the multi-dimensional nature of radical right-wing posting behaviors, many of which may inform future risk factor frameworks used by law enforcement and intelligence agencies to identify credible threats online.

Steam, the largest and most important online store for PC gamers with over $4 Billion in revenue in 2017, has recently gained popularity among white supremacists for being a platform, like Gab and Telegram, where they can openly express their ideology and calls for violence. The difference between Steam and social media platforms like Telegram or Gab is that while the latter do not share a formal business relationship with the wider social media industry, Steam has direct and lucrative relationships with most major game companies, including 2K, Electronic Arts, Xbox Game Studios, Ubisoft and others. Many of these game companies have made public statements about and dedicated significant resources towards keeping their products safe from the kinds of hateful ideologies espoused by extremists — while continuing to work with Steam.

This study investigates how visual manipulation is employed on the Facebook page of a far-right party; and whether manipulation evokes different forms of engagement from Facebook users. The study takes as a case the Facebook page of the British National Party (BNP), which has recently been censored from the social media platform. It therefore provides a rare insight in the visual practices of the party’s online political communication. A manual coding of 342 images into factual, funny, fallacious or fabricated content finds that completely fabricated information in images is rare. However, most images do contain information that is presented in a fallacious or misleading manner. The results show how deliberate manipulated images evoke more engagement in the form of comments and more negative emotional responses than images that present information in a factual or funny manner.

The gender dimension of violent extremism is under-studied; and “women terrorists” are stereotyped as either men’s dupes or (internet) warriors. Applying a gender lens, this study uses content analysis to examine Islamist extremist websites in Indonesia. Analysis reveals distinct recruitment language targeted at women and men, and rigid gender segregation of content and spaces. Extremists co-opt the language of women’s rights while also promoting gender-discriminatory harmful practices with the intent of establishing what they consider to be a more devout Islamic state. Gender analysis of online extremism has implications for strategies to counter and prevent radicalization to violence.

Islamic State videos have often been associated with savage violence and beheadings. An in-depth scrutiny however reveals another striking feature: that female bodies are absent, blurred or mute. Examining a few Islamic State videos in depth, the article suggests that the invisibility of women in tandem with the ostentatious visibility of male bodies enable gendered and embodied spectators to indulge in homoerotic as well as heterosexual imaginaries. In contrast to studies on visual security and online radicalization which assert that images affect an audience, this article focuses on the interaction between video and audience and argues that spectators are not only rational and emotional but embodied and gendered as well. Islamic State videos do not only attract western foreign fighters through religious–ideological rhetoric or emotional impact but also through gendered forms of pleasure and desire that enable carnal imagination and identification. The article probes the analytical purchase of carnal aesthetics and spectatorship.

This year’s Counterterrorism Yearbook draws upon 19 contributing authors, each a renowned thought leader in their field, to promote practical counterterrorism solutions by reviewing a global range of terrorism developments and counterterrorism responses. ASIO’s Director General, Mike Burgess commends the publication for its ‘valuable contribution to the public discourse on counterterrorism’. While maintaining its geographic focus, the Yearbook now includes thematic chapters on mental health, strategic policing, the media, the terror–crime nexus and terrorist innovation. These new thematic chapters have been included to encourage governments to consider more proactive CT agendas that move beyond the current focus on disrupting plots and discouraging people from joining and supporting terrorist groups. The focus here has been on promoting new thinking on how to deal with emergent areas of concern, such as comorbidity of mental health, use of gaming platforms, and artificial intelligence.