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This three-article dissertation focuses on cyber-related topics on terrorist groups, specifically Jihadists’ use of technology, the application of natural language processing, and social networks in analyzing text data derived from terrorists’ Dark Web forums. The first article explores cybercrime and cyberterrorism. As technology progresses, it facilitates new forms of behavior, including tech-related crimes known as cybercrime and cyberterrorism. In this article, I provide an analysis of the problems of cybercrime and cyberterrorism within the field of criminology by reviewing existing literature focusing on (a) the issues in defining terrorism, cybercrime, and cyberterrorism, (b) ways that cybercriminals commit a crime in cyberspace, and (c) ways that cyberterrorists attack critical infrastructure, including computer systems, data, websites, and servers.

VOX-Pol Blog post.

In considering how terrorist movements use the Internet, it is becoming increasingly apparent that we must move beyond predominantly descriptive overviews of the contents of websites to examine in more detail the notion of virtual communities of support and the functions of these for their members. Virtual communities in support of terrorist movements are real social spaces where people interact on a regular basis to disseminate their views, share their knowledge, and encourage each other to become increasingly supportive of movements that use terrorism to achieve their goals. Taken from a larger body of comparative qualitative research investigating the content and function of discourses created in virtual communities in support of terrorism, this article presents a thematic analysis of “Stormfront,” a virtual community of the radical right.

VOX-Pol Blog post.

Since the beginning of 2020, while societies and economies around the world have struggled to cope with the realities of the COVID-19 pandemic, cyberspace has given governments, businesses, and general end-users the ability to work, play, and connect in new and innovative ways. With everything from workspaces and classrooms to family gatherings and exercise routines forced online, the Internet has enabled people across the globe to carry on and maintain a sense of normalcy during very abnormal times. However, at the same time, while the world has been focused on the health, economic, political, and social ramifications of the pandemic, terrorist organizations, fringe groups, and extremist communities around the world have become emboldened, finding opportunity to exploit the situation, incite hate, (re)mobilize, and promote their ideologies online in novel ways. These groups—which we loosely classify as malicious nonstate actors for the purposes of this research —have been primarily focused on exploiting and contributing to the diffusion of information during the pandemic for their own strategic gain.

The Islamic State’s (IS) online propaganda has been analyzed from various perspectives aimed at defining the role of the Internet, the power of social media networks, and the main narratives processed online by terrorist organizations. Nevertheless, very little research has focused on defining IS’s comprehensive media strategy. To date, IS propaganda has been defined as multidimensional or as a mix of techniques related to moviemaking and video games. In consideration of the highly sophisticated IS online dissemination activity and its impact on Western youth who are already familiar with intensive media consumption, this article explores IS propaganda through a Hollywood-style transmedia approach. I analyze, through a qualitative content analysis of the magazine Dabiq narratives, IS propaganda as a comprehensive transmedia strategy centered on three key assets: synergistic storytelling, imaginary world-making, and semantic triggering.