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The alt-right is an online subculture marked by its devotion to the execution of a racist, misogynistic, and xenophobic politics through trolling, pranking, meme-making, and mass murder. It is this devotion to far-right politics through the discordant conjunction of humor and suicidal violence this article seeks to explain by situating the movement for the first time within its constitutive online relationships. This article adds to the existing literature by viewing the online relationships of the alt-right through the genealogy of propaganda. Through situating the alt-right alongside the genealogy of propaganda, the article offers new insights into the social isolation, increasingly extreme social and political positions, nihilism, and violence that have emerged within the alt-right. The article concludes by applying the lessons of the alt-right for online organizing across the political spectrum and argues that a class-based politics of the left is an important part of countering the rise of the alt-right.

We conduct an ethnographic content analysis to examine the social interaction and racial identity constructed through the exchange of white supremacist humor shared on three Stormfront discussion subforums. Overall, white supremacist joke sharing functioned multidimensionally as it simultaneously fostered cohesion and contention among users. By mocking political correctness and non-Whites through the circulation of humorous images and text, white supremacists establish a communal atmosphere and produce a sense of solidarity among members in a more “fun” way than conventional speeches or publications. At the same time, joke sharing may serve as a source of contention when users exchange jokes that violate collective identity norms, such as sharing “blonde jokes” that disparage White females. These findings underscore the ongoing necessity among members of the white supremacist movement to negotiate different ideological tenets. By attending to the social function of white supremacist joke sharing, insights derived from this investigation move beyond more formal social movement events such as marches and demonstrations by attending to the daily activities that white supremacists utilize to resist external threats.

Why do young Muslim women radicalize and undertake high-risk political behaviors, and what factors influence their sociopolitical transformation? The process of radicalization happens because of individual, social, and political dynamics, and is facilitated by the availability of computer-mediated communication. Some young Muslim women keep detailed records of their radicalization process via social media, which we use to understand their sociopolitical transformation. By evaluating their language, we can better understand how their personal, social, and political development unfolds. This paper is a case study examining the words of one young Muslim woman, Aqsa Mahmood, who moved from her home in Scotland to join the ISIS fighters in Syria. Her Tumblr blog provides a linguistic, political, and ideological record of the process of her radicalization. We identify linguistic patterns in her blog posts that can help to develop and reveal a typology of the language of female radicalization.

VOX-Pol Blog post.

Daesh’s centralized media operations provide a steady stream of media products to citizens living in and around its controlled territories, with the result that several nations occupied or adjacent to the group have emerged as many of the most fruitful recruiting grounds for new members. To better understand the argumentation strategies targeting such audiences, this study examines the 119 infographics in the first 50 issues of Daesh’s official weekly Arabic newsletter, al-Naba’. The findings suggest that through a patterned application of statistical, historical, religious, and scientific arguments from authority to predictable topical areas, the infographics in al-Naba’ reinforce Daesh as a key source of information for the citizenry of the proclaimed caliphate.

Images of death and dying in the media around the globe have a symbiotic relationship with nation states as they can bolster state control by defining who has the right to take lives in the interests of the community, by identifying enemies of the state, by demonstrating dominance over enemies, and by lending a moral posture to the state’s war efforts. Previously, the growing corpus of research on media’s display of death and about to die images has focused almost exclusively on media outlets that bolster established states on the global stage. By analyzing 1965 death and about to die images displayed in Dabiq, ISIS’s English-language magazine, and al-Naba’, the same group’s Arabic-language newspaper, this study adds an understanding of the messaging strategies deployed by groups striving to challenge, rather than reinforce, existing national boundaries. The findings suggest that while ISIS adopts some standard media practices, it also utilizes unique and audience targeted approaches regarding the frequency of image use, the identify of the corpses, the display of dead bodies, and the presentation of those responsible for the pictured dead bodies in its media campaign.