Online Library

In the space of 36 minutes on March 15, 2019, it is alleged that Brenton Tarrant, an Australian far-right extremist, fatally shot 51 people in two mosques in Christchurch in the deadliest terrorist attack in New Zealand’s history. What was unique about Tarrant’s attack—at least insofar as extreme-right terrorism is concerned—is that he livestreamed his atrocity on Facebook and in doing so, highlighted the Achilles heel of such platforms when faced with the viral dissemination of extremely violent content.

VOX-Pol Blog post.

VOX-Pol Blog post.

This joint report by the Institute for Strategic Dialogue (ISD) and the Combating Terrorism Center (CTC) at West Point offers a preliminary survey and analysis of one of the largest known online repositories of Islamic State materials in order to increase understanding of how violent extremist groups and their supporters manage, preserve, and protect information relevant to their cause. Seemingly managed by sympathizers of the Islamic State, the large cache of digital files, here nicknamed the “Cloud Caliphate,” provides researchers, policymakers, and counterterrorism practitioners additional insights into how and why groups and their adherents maintain archives of such material.
The core analysis breaks into seven different parts. After reviewing the likely origins of the repository, the first section describes its composition, and the second discusses evidence concerning cyber support from other online actors. Sections three through six explore specific folders within the archive, which pertain to matters concerning the Islamic State’s organizational predecessors and a range of notable leaders, ideologues, and scholars. Section seven of the report highlights a real-world case involving the use of the “Cloud Caliphate” archive by an Islamic State supporter. The report concludes with a reflective discussion that notes potential policy considerations for those tasked with confronting the Islamic State’s exploitation of information and communications technologies.

The presidency of Donald Trump was marked by a period of populist and sometimes extremist right-wing policies and rhetoric, and an escalation of ‘culture wars’ between the left and right in politics and society. He also gained the devoted support of numerous right-wing and so-called alt-right groups, such as QAnon, a conspiracy theory group that first emerged in 2017. This paper takes the novel approach of exploring the existence of a moral panic having formed around the activities of QAnon itself. I suggest that the current regulatory discourses around QAnon are flawed, with insufficient attention being paid to a wider range of extremist groups in assessing how to regulate extremist speech and action.

In this article, the authors theorize the communicative logic of ISIS online death videos—from the burning and shooting of individual hostages to mass battleground executions. Drawing on Adriana Cavarero’s reflections on contemporary violence, they demonstrate how ISIS’ digital spectacles of the annihilated body confront Western viewers with horror— or rather with different “regimes of horrorism” (grotesque, abject and sublime horror). These spectacles of horror, the authors argue, mix Western with Islamic aesthetic practices and secular with religious moral claims so as to challenge dominant hierarchies of grievability (who is worthy of our grief) and norms of subjectivity. In so doing, the authors conclude, ISIS introduces into global spaces of publicity a “spectacular thanatopolitics”—a novel form of thanatopolitics that brings the spectacle of the savaged body, banished from display since the 19th century, back to the public stage, thereby turning the pursuit of death into the new norm of heroic subjectivity.