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In recent years, an emerging body of work, centred on specific communicative forms used in facilitating collective and connective action, have contributed to greater understanding of how digital communication relates to social mobilisation. Plenty of these studies highlight the progressive potentiality of digital communication. However, undemocratic actors also utilise the rapid advancement in digital technology. This article explores the online video activism of extreme right-wing groups in Sweden. It analyses more than 200 clips on YouTube, produced by five right-wing extremist organisations. The study shows that the extreme right deploy video activism as a strategy of visibility to mobilise and strengthen activists. Moreover, the groups attempt to alter the perception of (historically-rooted) socio-political identi- ties of the extreme right. Furthermore, YouTube becomes a political arena in which action repertoires and street politics are adapted to the specific characteristics of online video activism. Finally, video activism could be understood as an aestheticisation of politics.

Focusing on extreme-right organisations in Italy, this article addresses the specific use of the Internet by extremist groups and its potential role for the formation of collective identity, organisational contacts and mobilisation. The analysis includes both political parties and non-party organisations, even violent groups. Through the combination of Social Network Analysis (SNA) of web linkages amongst approximately 100 organisations, with a formalised content analysis of those websites, we argue that various forms of usage of the Internet by right-wing organisations are indeed on the rise,
with an increase not only in the number of extremist websites but also in the exploitation of the Internet for diffusing propaganda, promoting ‘virtual communities’ of debate, fundraising, and organising and mobilising political campaigns. The various specificities of the usage of the Internet by extreme right organisations are demonstrated and linked to offline reality.

The dark web and terrorism have become closely intertwined, presenting new challenges to existing security frameworks globally. This brief examines the role of the dark web in enabling terrorist activities, from communication and recruitment to radicalisation and propaganda dissemination. It reviews current literature to highlight the ecosystem of the dark web and its ramifications on national security. The analysis describes the strategies adopted by terrorists in cyberspace, from exploiting mainstream social media platforms to leveraging encrypted channels and clandestine marketplaces. It also highlights the challenges confronting law enforcement and regulatory bodies in monitoring and combating terrorist activities on the dark web, underlining the need for global collaboration. It outlines recommendations for policymakers and security stakeholders to fortify cyber counterterrorism efforts while examining the specific challenges to India.

Intentional misinformation is a problem that has been documented in a variety of shapes and forms for thousands of years and continues to plague the American landscape. The advent and increasing usage of the Internet have created an additional venue through which intentional misinformation is disseminated, and many groups are taking full advantage of this new communication medium. Because the Internet allows anyone with web publishing skills to disseminate misinformation, it is often difficult for users to judge the credibility of the information. Hate groups understand this phenomenon and are taking full advantage of the Internet by publishing hate sites that promote their extremist ideologies by using language and symbolism that makes the true message difficult to decipher. This study will investigate the methods employed by hate groups to disseminate misinformation to the public.

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This article critically explores the historical representation of the Middle East in video games until 2002 and following the 9/11 event. Using thematic analysis, we identify four main themes and discuss how this representation shifts with time, offering a brief overview of the broader context. I argue that there is a clear association between political developments and this western representation, for we can clearly observe changes from the romantic, exotic, and orientalist views of the region and Arab and Muslim figure shown within the realms of the Arabian Nights theme to a more militant figure and dangerous place due to featuring armed conflict in the Middle East such as the first Gulf War. Though not included in the discussion, 9/11 introduced a more negative and Islamophobic representation that is associated with Islamist terrorism, and it marks the latest development in these themes.