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During the 2019 Christchurch attack, the perpetrator livestreamed footage from a helmet-mounted camera. The aesthetic similarity of the attack footage to first-person shooter (FPS) videogames has led to speculation that this might have somehow ‘gamified’ the attack. Generally, the argument for this is that the attack footage (1) imitates or resembles FPS games, gamifying attacks (2) increasing the affective appeal of propaganda by presenting it as play and thereby (3) increasing the salience of these attacks within gaming communities. This article challenges these notions. It argues that the FPS genre should not be associated with such footage due to visual similarity and is better considered in relation to film. The idea that such footage was purposefully shot to look like an FPS is unsupported, and more likely the result of practical considerations. While the framework of gamification might be useful, it should rest on interactivity, rather than aesthetic similarity.

VOX-Pol Blog post.

VOX-Pol Blog post.

It is well established that jihadist groups and their supporters post URLs on online platforms to outlink to items of propaganda stored on other platforms. Industry initiatives – such as Global Internet Forum to Counter Terrorism’s inclusion of URLs in its hash-sharing database, and Tech Against Terrorism’s Terrorist Content Analytics Platform – have sought to counter this practice. These measures, together with new regulatory regimes (e.g. the EU’s Terrorist Content Online Regulation) and the growing use of decentralised services, raise the question whether jihadist groups’ propaganda dissemination strategies are perhaps being forced to evolve. This report considers whether there is evidence of such an evolution, by examining the means that three jihadist groups (Islamic State (IS), Al-Qaeda (AQ) and Al-Shabaab) used to disseminate their propaganda during a two-month period in early 2023.

VOX-Pol Blog post.

VOX-Pol Blog post.