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In Part I, this Note will look at the European Union’s current Internet Forum and their proposed Terrorist Content Regulation. The proposed regulation focuses on countering terrorist content on social media by placing much of the burden on the social media companies themselves. Part II will focus on the Material Support of Foreign Terrorist Groups Statue: 18U.S.C.§ 2339(b).

How does the internet affect the radicalisation of extreme-right lone actor terrorists? In the absence of an established theoretical model, this article identifies six mechanisms seen as particularly relevant for explaining online radicalisation. Having first reviewed a larger set of relevant lone actor terrorists, the study traces these mechanisms in three selected cases where the internet was reportedly used extensively during radicalisation. The findings show that the internet primarily facilitated radicalisation through information provision, as well as amplifying group polarisation and legitimising extreme ideology and violence through echoing. In all three cases, radicalisation was also affected considerably by offline push-factors that through their presence made extreme online messages more impactful. The results challenge the view that offline interaction is necessary for radicalisation to occur but also the view that online influence itself is sufficient.

This article claims that the visual image contributes to, reflects and supports the dominant discourse of two powerful armed groups that have operated in Iraq and Syria: the US military and the Islamic State (IS). This research uses multimodal discourse analysis to explore two crucial insights into the ideological power of the visual image: the power of the image as spectatorship or spectacle and the sublime or transcendental nature of the visual image. The authors conclude that US and IS recruitment and propaganda videos share these two crucial ideological elements: pride in the spectacle of their military power, discipline and technologies, and sublime commitment to the act of killing and dying for the cause. In this sense, the US military and IS are brothers in arms.

Since the Islamic State proclaimed the Caliphate in 2014, the terrorist organization has been prominent due to the high-quality and efficient distribution of its propaganda, especially in the main online social media platforms. Two of their most popular vehicles for indoctrination and recruitment, the e-magazines Dabiq and Rumiyah, perfectly embody the philosophy of an organization constructed upon a multi-semiotic polarized discourse in which the antagonism between enemies and heroes is stated in many different ways. Using multimodal critical discourse analysis and visual framing as our main theoretical frameworks, this chapter analyses the semiotic structure of the images of foes and allies in the aforementioned magazines to show their essential role within the propaganda machine of the Islamic State, designed to achieve two main interconnected goals: the legitimation of their actions and, through this, the adherence of new fighters to their cause.

This Element presents original research into how young people interact with violent extremist material, including terrorist propaganda, when online. It explores a series of emotional and behavioural responses that challenge assumptions that terror or trauma are the primary emotional responses to these online environments. It situates young people’s emotional responses within a social framework, revealing them to have a relatively sophisticated relationship with violent extremism on social media that challenges simplistic concerns about processes of radicalisation. The Element draws on four years of research, including quantitative surveys and qualitative focus groups with young people, and presents a unique perspective drawn from young people’s experiences.