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In the context of far-right terrorism, memes on 4chan play a fundamental role. These memes not only serve as a form of propaganda but also as a tool to radicalize and mobilize users. On 4chan, a site known for its lack of moderation and anonymity, memes are used to spread extremist ideologies in a viral and accessible manner. Memes can destabilize and trivialize serious issues, normalizing hate and violence among users. Furthermore, their humorous and accessible format facilitates the spread of radical ideas, making them more appealing and less confrontational. By becoming an integral part of 4chan’s online culture, these memes not only reinforce extremist ideology but also foster a community where violence and hate become acceptable and common topics. This dynamic highlights the importance of addressing the role of memes in the spread of extremism and the need for strategies to counteract their impact.

The Internet is of major importance to the global jihadist movement today. It facilitates ideological cohesion and network-building within a geographically scattered movement, and all levels of the jihadist network are present on the Internet. The jihadist websites differ enormously in nature and are run relatively independently of each other. However, many sites are inter-related in the sense that they frequently redistribute and circulate the same material. This indicates that despite a large number of sites, the scope of new material that appears on these sites every day is not necessarily very large. Concerning the functions of the jihadist Internet, it fulfils different objectives, most importantly of communicative character. The much feared cyber terrorism, i.e. destructive attack on information systems, does not, so far, seem to be a main objective for the jihadist use of the Internet.

VOX-Pol Blog Post.

Extreme, anti-establishment actors are being characterized increasingly as ‘dangerous individuals’ by the social media platforms that once aided in making them into ‘Internet celebrities’. These individuals (and sometimes groups) are being ‘deplatformed’ by the leading social media companies such as Facebook, Instagram, Twitter and YouTube for such offences as ‘organised hate’. Deplatforming has prompted debate about ‘liberal big tech’ silencing free speech and taking on the role of editors, but also about the questions of whether it is effective and for whom. The research reported here follows certain of these Internet celebrities to Telegram as well as to a larger alternative social media ecology. It enquires empirically into some of the arguments made concerning whether deplatforming ‘works’ and how the deplatformed use Telegram. It discusses the effects of deplatforming for extreme Internet celebrities, alternative and mainstream social media platforms and the Internet at large. It also touches upon how social media companies’ deplatforming is affecting critical social media research, both into the substance of extreme speech as well as its audiences on mainstream as well as alternative platforms.

Extreme, anti-establishment actors are being characterized increasingly as ‘dangerous individuals’ by the social media platforms that once aided in making them into ‘Internet celebrities’. These individuals (and sometimes groups) are being ‘deplatformed’ by the leading social media companies such as Facebook, Instagram, Twitter and YouTube for such offences as ‘organised hate’. Deplatforming has prompted debate about ‘liberal big tech’ silencing free speech and taking on the role of editors, but also about the questions of whether it is effective and for whom. The research reported here follows certain of these Internet celebrities to Telegram as well as to a larger alternative social media ecology. It enquires empirically into some of the arguments made concerning whether deplatforming ‘works’ and how the deplatformed use Telegram. It discusses the effects of deplatforming for extreme Internet celebrities, alternative and mainstream social media platforms and the Internet at large. It also touches upon how social media companies’ deplatforming is affecting critical social media research, both into the substance of extreme speech as well as its audiences on mainstream as well as alternative platforms.

This thesis explores how extremism manages to survive in moderated online spaces. This work follows the attempts of the Instagram platform to minimize the presence of the right-wing extremist groups, specifically the Boogaloo movement, as a means of understanding how such groups survive and proselytize in the face of censorship. Addressing this question is done through the use of a multi-sited virtual ethnography spanning the Instagram Boogaloo community, Telegram channels and other external links shared by the accounts within the sample group over the course of two years. Publicly available posts from relevant accounts were archived and subject to content analysis to provide a baseline understanding of the group’s ideology and determine existing and emergent themes in order to demonstrate the evolution of the group. Collection and analysis was a concurrent and cyclical process which yielded a deeper understanding of the Boogaloo movement’s ideology and the meaning behind the symbols employed by the group. Furthermore, the results of this work showcase that the longer the Boogaloo movement spent circumnavigating censorship, the more the group began to resemble other successful extremist groups. Subsequently the analysis was informed by social movement theory and new institutionalism to explain how extremist groups approach adversity and uncertainty in a similar fashion to how institutions behave, which ultimately leads to homogenization.