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Social media platforms have profoundly transformed cultural production, in part by restructuring the terms by which culture is distributed and paid for. In this article, we examine the YouTube Partner Program and the controversies around the “demonetization” of videos, to understand these arrangements and what happens when they shift beneath creators’ feet. We use the testimony of YouTubers, provided in their own videos, to understand how creators square the contradiction between YouTube’s increasingly cautious rules regarding “advertiser-friendly” content, its shifting financial and algorithmic incentive structure, and its stated values as an open platform of expression. We examine YouTube’s tiered governance strategy, in which different users are offered different sets of rules, different material resources, and different procedural protections when content is demonetized. And we examine how, especially when the details of that tiered governance are ambiguous or poorly conveyed, creators develop their own theories for why their content has been demonetized—which can provide some creators a tactical opportunity to advance politically motivated accusations of bias against the platform.

VOX-Pol Blog post.

VOX-Pol Blog post.

This paper investigates an agency model of a terrorist organization in which the training and motivation of recruits can occur onsite, in physical training camps, or at arm’s length through the Internet. In so doing, we develop measures of the effectiveness and efficacy of these recruit training methods. A dividing line for choosing between the two is characterized in terms of the degree to which onsite training augments an operative’s probability of mission success. In comparing our results to data on terror-tactic lethality, one implication is that terrorist organizations are likely to consider Internet training as sufficient for any tactic that is less complex and less lethal than vehicular assaults, and will require onsite motivation and training for more complex missions such as multiple-operative mass shootings and suicide bombings.

In opdracht van het Wetenschappelijk Onderzoek- en Documentatiecentrum (WODC) van het ministerie van Veiligheid en Justitie (VenJ) heeft Coosto een verkennende studie uitgevoerd naar mogelijke nieuwe social media toepassingen voor VenJ. Deze studie beoogt primair nieuwe toepassingen in kaart te brengen of bestaande toepassingen te herformuleren zodat ze bruikbaar zijn voor VenJ. Het daadwerkelijk ontwikkelen / bouwen van nieuwe toepassingen behoort niet tot deze opdracht.

This article examines the forms and feelings of togetherness evident in both Manchester city centre and on social media during the first anniversary of the 22 May 2017 Manchester Arena bombing. To do this, we introduce a conceptual framework that conceives commemorative public atmospheres as composed of a combination of ‘more or less digital’ elements. We also present a methodological approach that combines the computational collection and analysis of Twitter content with short-term team autoethnography. First, the article addresses the concept of public atmospheres before introducing the case study and outlining our methodology. We then analyse the shifting moods of togetherness created by the official programme of commemorative events known as Manchester Together and their digital mediatisation through Twitter. We then explore a grassroots initiative, #LoveMCRBees, and how it relied on the materialisation of social media logics to connect people. Overall, we demonstrate how public atmospheres, as constituted in more and less digital ways, provide a framework for conceptualising commemorative events, and how togetherness is reworked by social media, especially in the context of responses to terrorism.