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The twenty-first century’s development of the Internet has led to a significant shift in contemporary communication (Zelin in The state of global jihad online: a qualitative, guantitative, and cross-lingual analysis. New America Foundation, 2013). While the Internet is widely utilised in everyday life to distribute and share information, it has also created an environment in which virtual societies have become a breeding ground for new risks and threats (Hawdon et al. in NORDICOM 3:29–37, 2015). Consequently, terrorist and extremist organisations exploit the accessibility of the Internet to facilitate their violent activities and spread their extremist ideology (Montasari et al. in Privacy, Security and Forensics in the Internet of Things (IoT). Springer International Publishing AG, 2022). This chapter aims to analyse the impact of the Internet on the rise of extremism and terrorism. To this end, the chapter will first investigate the role of the Internet in promoting the online radicalisation process, which leads to participation in terrorist acts. It will then critically examine how the Internet alters the nature of violent extremism, including its fatal consequences in the real world. Finally, the chapter will explore how and for what purposes violent extremists use the Internet, focusing on recruitment through propaganda, training and planning by sharing information, psychological warfare and fundraising.

The anti-terror public media campaigns started in Iraq around 2004 and was called ‘Terror has no Religion’ in order to combat the threats of sectarianism and Al-Qaeda. After the withdrawal of the US forces from the country in late 2010, the campaign stopped, but a new and similar one emerged that is called ‘Say no to Terror’ whose advertisements mostly targeted the Saudi public. Several Pan-Arab regional channels like Al-Arabiya and Middle East Broadcasting Center (MBC) were part of airing its advertisements. This study focuses on the ‘Terror has no Religion’ and ‘Say no to Terror’ campaigns by critically examining their websites and videos to understand the nature of messages sent to the public. Further, the study examines the effectiveness of the two campaigns with special emphasis on ‘Say no to Terror’ by analyzing comments posted on YouTube and discussing the counter campaign. Over 350 videos were found containing counter arguments to ‘Say no to Terror’ campaign, and about 60% of YouTube commentators viewed the campaign negatively, expressing suspicion about its real intentions. The paper concludes that the success of such public service advertisements is doubtful due to the format of the message as well as cultural and political reasons that are linked to the region.

This article critically explores the historical representation of the Middle East in video games until 2002 and following the 9/11 event. Using thematic analysis, we identify four main themes and discuss how this representation shifts with time, offering a brief overview of the broader context. I argue that there is a clear association between political developments and this western representation, for we can clearly observe changes from the romantic, exotic, and orientalist views of the region and Arab and Muslim figure shown within the realms of the Arabian Nights theme to a more militant figure and dangerous place due to featuring armed conflict in the Middle East such as the first Gulf War. Though not included in the discussion, 9/11 introduced a more negative and Islamophobic representation that is associated with Islamist terrorism, and it marks the latest development in these themes.

This book offers empirical insight into the way Muslims reacted online towards various controversial issues related to Islam. The book examines four cases studies: The Muhammed’s cartoons, the burning of the Quran controversies, Fitna and the Innocence of Muslims’ films. The issues of online religion, social movements and extremism are discussed, as many of the cases in question created both uproar and unity among many YouTubers. These case studies – in some instances – led to the expression of extremist views by some users, and the volume argues that they helped contribute to the growth of extremism due to the utilization of these events by some terrorist groups in order to recruit new members. In the concluding chapter, social network and sentiment analyses are presented in order to investigate all the collected comments and videos, while a critical discussion of freedom of expression and hate speech is offered, with special regards to the growing online influence of far right groups and their role in on-going YouTube debates.

This study discusses different media strategies followed by the Islamic State in Iraq and Syria (ISIS). In particular, the study attempts to understand the way ISIS’s video game that is called “Salil al-Sawarem” (The Clanging of the Swords) has been received by the online Arab public. The article argues that the goal behind making and releasing the video game was to gain publicity and attract attention to the group, and the general target was young people. The main technique used by ISIS is what I call “troll, flame, and engage.” The results indicate that the majority of comments are against ISIS and its game, though most of the top ten videos are favorable towards the group. The sectarian dimension between Sunnis and Shiites is highly emphasized in the online exchanges, and YouTube remains an active social networking site that is used by ISIS followers and sympathizers to promote the group and recruit others.

Demystifying the Abu Mansur Saga