Online Library

This report analyses memes propagated among three online socio‐political groups drawn from sample datasets pulled from social media sites often used by adherents of each group. These groups include those connected to the India‐based Hindutva, US‐based neo‐Nazis and those engaging in pro‐Rittenhouse communications in late 2020. The authors chose the groups based on similarities in their ideological goals, race‐based nationalism and their close association with political violence in their respective countries.

This paper analyzes the meaning of iconography that constitute memes by reviewing a collection of memes propagated on social media related to the Kyle Rittenhouse shooting of protestors in Wisconsin. The authors collected 355 images from 37,774 tweets, supplemented by images found in Facebook groups, militia forums, and right-wing meme repositories related to Kyle Rittenhouse. The paper leads with an introduction to the American “alt-right” movement and the Rittenhouse shootings. The paper’s methodology deconstructs each meme into a set of constituent parts. This provides a process for classifying memes based on their templates, “aesthetic,” branding, events, iconography, and seemingly ambiguous references. This allows researchers to better attribute memes to specific socio-political and cultural groups, analyze the intent of the messaging, and situate memes in the broader knowledge base that, over time, solidifies into its own entity with its own kind of social and political agency.

Rassistische Hassrede im Internet: Wie soll die Schweiz in Zukunft damit umgehen? Der vorliegende Bericht, welchen die Fachstelle für Rassismusbekämpfung (FRB) in Auftrag gegeben hat, liefert dazu einen Beitrag. Er beinhaltet eine kritische Zusammenfassung der Datenlage, einen Einblick in die digitale Umwelt und egünstigenden Kommunikationsbedingungen rassistischer Online-Hassrede sowie einen Überblick zu bestehenden Gegenmassnahmen in der Schweiz und im Ausland. Schliesslich werden die Herausforderungen und Anliegen von Schweizer Verwaltungsstellen, Beratungsstellen und privaten Organisationen identifiziert und Handlungsempfehlungen für die StahelSchweiz abgegeben.

This case study applies aspects of third space theory (; ) to investigate the activism on the YouTube channel Salafimedia UK (smuk) and their claim to be the self-proscribed “truest” and “purest” Islamic sect. This chapter introduces the somewhat paradoxical concept of “hybridic purity” – an emerging ideology that seeks to encompass pre-modern Islamic practices of the salaf (“predecessors” or first generations of Muslims) as the purest form of Islam (see also ); modern values of individuality and reliance on the “self”; the affordances of the YouTube channel; and resistance to present-day Western cultural and political values, especially those of the United Kingdom (UK), as well as to the UK government’s censorship and bans of Salafist movements. This hybridic purity becomes authoritative as it compels YouTube audience members to take responsibility for their own growth and activism as pious Salafists.

VOX-Pol Blog post.

Radical right actors routinely use social media to spread highly divisive, disruptive, and anti-democratic messages. Assessing and countering such content is crucial for ensuring that online spaces can be open, accessible, and constructive. However, previous work has paid little attention to understanding factors associated with radical right content that goes viral. We investigate this issue with a new dataset (the ‘ROT’ dataset) which provides insight into the content, engagement, and followership of a set of 35 radical right actors who are active in the UK. ROT contains over 50,000 original entries and over 40 million retweets, quotes, replies and mentions, as well as detailed information about followership. We use a multilevel model to assess engagement with tweets and show the importance of both actor- and content-level factors, including the number of followers each actor has, the toxicity of their content, the presence of media and explicit requests for retweets. We argue that it is crucial to account for role of actors in radical right viral tweets, and therefore, moderation efforts should be taken not only on a post-to-post level but also on an account level.