Online Library

This report presents an analysis of the
production and propagation of online
antagonistic content related to Jews
posted on Twitter between October 2015
and October 2016 in the UK.

The study examines three anonymous sharing portals employed strategically by the Islamic State of Iraq and Sham (ISIS) to achieve its political ends. This study argues that anonymous sharing portals such as Sendvid.com, Justpast.it, and Dump.to have been instrumental in allowing individual jihadists to generate content, disseminate propaganda and communicate freely while routing around filtering practiced by popular social media networks.The study draws on Actor Network Theory (ANT) in examining the relationship between ISIS jihadists and the emergence of anonymous sharing portals. The study suggests that, even though used prior to the massive degrading operation across social media, anonymous sharing portals were instrumental in allowing ISIS to maintain its networking structure in the face of coordinated disruption.

Research on jihadist online propaganda (henceforth JOP) tends to focus on the production, content and dissemination of jihadist online messages. Correspondingly, the target of JOP – that is, the audience – has thus far attracted little scholarly attention. This article seeks to redress this neglect by focusing on how audiences respond to jihadist online messaging. It presents the findings of an online pilot survey testing audience responses to clips from English-language ISIS videos. The survey was beset at every stage by ethical, legal and practical restrictions, and we discuss how these compromised our results and what this means for those attempting to do research in this highly sensitive area.

This report outlines the results of a programme trialling
a methodology for identifying individuals who are
demonstrating signs of radicalisation on social media,
and engaging these individuals in direct, personalised
and private ‘counter-conversations’ for the purpose of
de-radicalisation from extremist ideology and
disengagement from extremist movements. This is
the first programme globally which has trialled the
delivery of online interventions in a systematised
and scaled fashion.

This study applies the method of sentiment analysis to the online media released by the Islamic State (IS) in order to distinguish the ways in which IS uses language within their media, and potential ways in which this language differs across various online platforms. The data used for this sentiment analysis consist of transcripts of IS-produced videos, the text of IS-produced online periodical magazines, and social media posts from IS-affiliated Twitter accounts. It was found that the language and discourse utilised by IS in their online media is of a predominantly negative nature, with the language of videos containing the highest concentration of negative sentiment. The words and phrases with the most extreme sentiment values are used as a starting point for the identification of specific narratives that exist within online IS media. The dominant narratives discovered with the aid of sentiment analysis were: 1) the demonstrated strength of the IS, 2) the humiliation of IS enemies, 3) continuous victory, and 4) religious righteousness. Beyond the identification of IS narratives, this study serves to further explore the utility of the sentiment analysis method by applying it to mediums and data that it has not traditionally been applied to, specifically, videos and magazines.

Social media users, journalists, lawyers
and musicians have been prosecuted
under Article 578 of the Spanish
Criminal Code, which prohibits “glorifying
terrorism” and “humiliating the victims
of terrorism”. Although this provision
was first introduced in 2000, it is only in
recent years, following its amendment
in 2015, that prosecutions and convictions
under Article 578 have sharply risen.
The result is increasing self-censorship
and a broader chilling effect on freedom
of expression in Spain.